The Presence of the Perfect Image: Diane Severin Nguyen Interviewed by Alec Recinos
On Art History and NFTs
On monoliths, land art, and net art
bricked in
the image of protest
creating "cool" with Kim Hastreiter
A banana taped to a wall sold for $120,000 at a Miami art fair. Here's why it wasn't good.
Going through the motions with Kimberly-Klark's bittersweet final show on the purposelessness of routine while holding ground
the banal drudgery of inevitable "it's not that bad" alienation: on heike geissler's
seasonal associate
$1,000 gold chicken wings in plato's cave
art can't stop the machine.
on political posturing + preempting failure as a poor defence in the Mechanisms group show
towards a postinternet sublime: jon rafman's street view romanticism
a détourned office space: an interview with jennifer and kevin mccoy
good art today: a review of the reviews of the whitney biennial
god's eye
alec recinos
selected writing